The time and does not wait for the fireworks

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Roy Rallo has preferred this context in the Vienna of the early 20th century chosen by Richard Strauss and his librettist Hugo von Hofmannsthal does not change the issues. To impress his guests, victimized wants an opera and a farce. The composer chose to entrust the sorrow of Ariadne abandoned on Naxos by Theseus in music cannot resolve to share the poster with a vulgar style. It is the height of the humiliation when he learns that the two representations will not come and go, but need to mix. The time and does not wait for the fireworks.

The artists therefore wear jeans and trainers. Why not. One wonders however if it is not damage do not enjoy pure style 18th century of the Opera of Bordeaux rather that build to accommodate any national scene trendy decor. The Director is satisfied to be original but does that to submit to a conformity of modernity. No doubt is - for this he was welcomed by a battle of boos and applause on the evening of the first. Let's be fair, his show is nothing revolutionary, but it is not idiot and retains its logic.

Yet, this is music to mark this evening. In the prologue detailing preparations jostled reception, distinguished and impassioned composer of Elza van den Heever: by the intensity of her singing, reflects South African soprano love sacred character for an art that he likened to a priesthood. In the second part of the work, one where Ariane and the actors are going to meet on the island Greek, Brenda Rae composed a freestyle Zerbinette (what fluency in vocalizations!) who wants to learn to Ariane how enjoy life instead of crying Theseus but who to confess desperately single well that always accompanied.

By its presence and its expressive intensity, Heidi Melton composed a painful Ariane and is forgetting a little stuck bourgeois costume (dress flowers and headband). This young team guided with style by Kwamé Ryan, should also include the Harlequin of Thomas Dolié and the valiant Bacchus of Arnold Bezuyen. The Dutch tenor has resisted this formidable, claironnant range top perched in the acute, and this strange God role that Ariane, in his despair, confused with Theseus and that it will be.